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Ora white 42 mm
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The breaking of the round shape of the face alters the graphic language, the asymmetry creates an aesthetic and dynamic "cut" that plays with the imperfection without denying the time. Available in white and black, size 42 mm diameter. THis is great minimalism design as knows how to do Denis Guidone, great Milanese designer.
Stainless steel case, Ø42mm, Miyota 2035 movement, genuine leather watch strap, water resistant 3ATM/30m, mineral glass.
Nava design is a Milanese brand which proposes the Nava Time line designed by Denis Guidone. Denis Guidone is involved with architecture, design and visual communication. his project process was born under the idea of subtraction, he follows the unification of opposite through a constant approach on the border between architecture and visual communication, at the same time mediated by an expressive research addressed to work on the basis of subtraction. Fascinated since the beginning by the rifor and thought of AG FRONZONI, with the passing of the time he develops a new rigor out of the rules.
Minimalist asymmetry for this fine watch designed by Denis Guidone for Nava Design : la ORA. A watch with one angle and two straight lines that comes to equilibrate a perfect circle. A white or black screen with minimalist time indication. Released in high quality steel, the ORA is marked with an emboss Nava logo on its side. A generous Ø42mm case and a leather strap band.
La Ora by Denis Guidone comes in two colors, la Ora Black or la Ora white.
The Ora side is embossed with Nava logo.
The back of the watch case is also very precise and is carved with the watch name, the brand name and the designer's name.
Denis Guidone is involved with architecture, design and visual communication. his project process was born under the idea of subtraction, he follows the unification of opposite through a constant approach on the border between architecture and visual communication, at the same time mediated by an expressive research addressed to work on the basis of subtraction. Fascinated since the beginning by the rifor and thought of AG FRONZONI, with the passing of the time he develops a new rigor out of the rules. "For Denis Guidone, materiality and function seem to be consistently and exquisitely reduced to a conceptual premise where use becomes the embodiment of form – in fact, idea, service, and aesthetic emerge in his work as inseparable. " James Wines (SITE architecture NY)
